It's also easier and quicker to animate effects such as smoke and sparks in 3D. For instance, animators can achieve more complex camera moves in 3D than they can using 2D techniques. "The use of 3D technology in 2D animation, regardless of the style, can be greatly beneficial," says Arias. That 3D technology played such a heavy role in this project, despite the fact that the anime genre is characteristically 2D, isn't surprising. And all were created with the uniquely Japanese anime style in mind. Because of violent and graphic content, all are also geared more for adults than for children. Whether they provide a back story for the Matrix trilogy, tell side stories tying the three films together, or take the Matrix story in new directions, all nine episodes closely relate to the Matrix theme. The Animatrix accomplishes all those goals.
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"With The Animatrix, they wanted to expand on the Matrix theme in terms of storytelling, plus pay homage to anime and bring it to adult US audiences." (See "Anime Anthology," pg. "There's stuff for kids, for adults, for teenage girls, for teenage boys-animation is a rich medium in Japan."Īnime, which is more cinematic and less caricatured than so-called American animation, was one of the Wachowskis' key inspirations for the Matrix films, Arias notes. "In Japan, there's a wider range in terms of animation genres and content than there is in the US," he says.
The brothers also wrote four of the episodes and closely supervised the project from concept to postproduction.Īccording to Arias, who is a Japan-based special effects and digital technology consultant and was one of the Animatrix producers, the Matrix trilogy was the perfect vehicle on which to base the Animatrix episodes. Larry and Andy Wachowski, who wrote and directed the Matrix films, selected the directors of The Animatrix episodes themselves.
Courtesy Warner Home Video.Įach animation, or episode, tells a new story set in the worlds of 1999's blockbuster VR action thriller The Matrix, and the second and third chapters in the film trilogy, The Matrix: Reloaded and The Matrix: Revolutions, scheduled to hit theaters this May and November, respectively.
They are between six and 17 minutes long and were created in the anime style pioneered by Japanese artists.Īll images ©2003 Warner Bros. Scheduled for release in June on DVD and VHS by Warner Home Video, The Animatrix is a collection of nine film-quality animations-one 2D, seven a combination of 2D and 3D, and one produced entirely in 3D. It's not just for kids, and it can provide fairly sophisticated entertainment."Įarlier this spring Arias and a team of talented producers, directors, and animators from Japan, South Korea, and the US accomplished that mission with The Animatrix. I want to show them that animation, whether 2D, 3D, or a combination of both, doesn't have to be family-oriented. "I want to give adult American audiences more to chew on when they watch animation. was founded in 1991 and is headquartered in Tokyo, Japan.For the past three years, Michael Arias has been on a mission.
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Further, the company provides content solution software and service as solutions based on research achievements of graphic technology for production, distribution, and replay of graphic content compatible with various devices and platforms. In addition, it offers LAYTOWN, a clay animation production software, as well as NarrationStudio, a narration production software and operates CLIP, a creative activity support site. The company’s creator support tools also comprise IllustStudio, an illustration production software that enables users to draw artificial buildings and background images, and allows users to create realistic images ComicStudio software, which allows users to create works with only a personal computer, without utilizing analog materials and tools or other graphics software and RETAS STUDIO, an animation production software that provides support for creator’s activities through Internet. It provides creator support tools include CLIP STUDIO PAINT, a painting tool with a feel of drawing, and a capacity of processing works with high-resolution and various layers CLIP PAINT STUDIO PRO, a tool for illustration with pen, brush, and color tools and CLIP STUDIO PAINT EX, a tool that manages various page works and with features of CLIP PAINT STUDIO PRO. develops mobile solutions, development tools, and multimedia content solutions primarily in Japan.
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